The company and Hollywood Colorist David Bernstein (Molin Rouge, Unfaithful, Phone Booth) got together three years ago with the predecessor to the PT-AE900, the AE700. For example, Bernstein took issue with the way the AE700 was outputting blacks, and Panasonic engineers worked to correct this with the AE900. The practice in getting a colorist to work with Panasonic to develop a projector is based on Panasonic 's goal to ensure that the color fidelity that the viewer sees via the projector is as close as possible to what the director of the film intended.
As the Panasonic PT-AE700 was placed as one of the best projectors on the market for film like pictures it's successor should be very impressive.
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